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REFERENCES


20th Century Art. (1996). London: Phaidon.

Albright, Daniel. (1994). Literary and Psychological Models of the Self. New York: Cambridge University Press.

Aperture. (2000): Specimens and Marvels: The World of William Henry Fox Talbot and the Invention of Photography. Aperture, no 161, p. 24-35

Barclay, Craig R. (1994). Composing Protoselves Through Improvisation. New York: Cambridge University Press.

Berman, Greta. (1999). Synesthesia and the Arts. In Leonardo Magazine, Vol. 32, No. 1 (1999), p. 15-22.

Chandler, Daniel, (2002). Semiotics For Beginners. Available at http//:www.aber.ac.uk/media/Documents/S4B/sem-gloss.html

College Arts Association. (2004). 2005 Call for Participation in the 93rd Annual Conference available at http://www.collegeart.org/caa/conference/2005/05CallforParticipation.pdf

Collischan, Judy (Curator). (2000). Mary Frank: Encounters, New York: Harry N. Abrams.

Crozier, Susan. (2002). Love on the Rerun: Repetition, Retrospection, and Affect in the Television Sitcom. Auckland: University of Auckland.

de Moraes, Lisa. (2002). Gold in Them Thar 'Hillbillies'? Washington Post; page A01 available at http://www.wpni.com/ac2/wp-dyn/A9235-2002Aug28 washingtonpost.com

Douglas, Susan J. (1994). Where the Girls Are: Growing up Female with the Mass Media. New York and Toronto: Random.

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Frame, Janet. (1991). To the Is-Land. Auckland, NZ: Vintage.

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Houston, Jean. (1998). A Passion for the Possible: A Guide to Realizing Your True Potential. San Francisco: Harper

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Kellner, Douglas. (2001). Cultural Studies, Multiculturalism, and Media Culture. Web document, Kingwood College Library, American Cultural History website, Library of Congress. (url:http://kclibrary.nhmccd.edu/decades.html)

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Neimeyer, Greg J. and Metzler, April E. (1994). Personal Identity and Autobiographical Recall. USA: Cambridge University Press.

Neisser, Ulric. (1994). Self-narratives, True and False. New York: Cambridge University Press.

Ramachandran, Vilayanur S. (2003). Purple Numbers and Sharp Cheese, Lecture 4 in the Reith Lecture Series, BBC Radio 4, transcript available at http://www.bbc.co.uk/radio4/reith2003/lecture4.shtml

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Stangos, Nikos, (Ed.). (1974) Concepts of Modern Art From Fauvism to Postmodernism, (3rd ed.). London: Thames and Hudson.

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Williams, Raymond. (1958). Culture is Ordinary. Originally published in N. McKenzie (Ed.), Convictions, 1958. Available at http://www.wsu.edu:8001/vcwsu/commons/topics/culture/culture-definitions/raymond-williams.html


Shāna Carlan-Riddell
Paradise Valley
RD2, Rotorua
New Zealand
artstormnz@yahoo.co.nz
Phone +64 (07) 350-2114
Mobile +64 027 659-6538